They often gathered at the Pak Tea House and discussed about literature, society and politics. In Lahore, he met several important literary personalities who were also his colleagues. The Partition of India and obscenity charges forced Manto to leave India and relocate to Lahore, Pakistan. With my stories, I only expose the truth.” The interference of literary society and the government on his works only proved to Manto that the society was reluctant to talk about the underlying issues such as religious and political strife that plagued the country. Manto said, “If you find my stories dirty, the society you are living in is dirty. In India each of these publications were charged with obscenity. By 1945, he had written and published his famous most controversial short stories Dhuan, Kaali Shalwar and Bu, which later became part of his collected twenty-two short stories volumes. Between 19, he wrote all genres of stories and also produced four volumes of radio plays. In India, it was in 1940’s that Manto gained prominence as a writer. In his college, he wrote short stories and even published one of his works, Inqlaab Pasand. He became friends with an Urdu writer, Ali Sardar Jafri. He studied Writing and Literature at Aligarh Muslim University, there he met several important figures. His writing career began in 1934, when he started working for a small news publication. Over the years, he translated many famous Russian and French books into Urdu. The writings of these authors inspired him to translate Victor Hugo’s “The Last day of a Condemned Man” into Urdu. Though a disinterested student from the beginning and a college dropout, Manto had a sharp mind and had a knack for writing and at the urging of one of his friend and mentor Abdul Bari Alig, Manto started reading French and Russian authors. Not much is known about his youth but this much is known that his family was in law and his father was a judge.
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He was a Kashmiri and he was born into a family of Sunni Muslims.
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Saadat Hasan Manto was born in May 11, 1912, in British India in the small Punjab village called Samrala. Manto’s stories focused on the murky terrains of humanity and how the societal norms tramples down humanity. Manto was charged six times in India and Pakistan for his writings. I don’t even try to cover it, because it is not my job, that’s the job of dressmakers.” His provocative stories got him into trouble both in India and Pakistan. Who am I to remove the clothes of this society, which itself is naked. On August 14, 2012, the government of Pakistan posthumously honoured him with the title ‘Nishan-I-Imtiaz’.Ībout his writings, Manto said, “If you cannot bear these stories then the society is unbearable. His published works includes twenty-two collections of short stories, one novel, five collections of radio plays, three collections of essays and two collections of personal sketches. Along with being an Urdu writer, he was also a film and radio scriptwriter and a journalist. He left us with a stupendous literary output and he and his literary work is very much relevant even today. Saadat Hasan Manto is one of the most well-known and controversial Urdu writer of the twentieth century. Saadat Hasan Manto was one such writer.” (Written by Sana Khan, Manto Lives | Published on: May 12, 2017) At the present moment in history it then becomes important for us to see our story tellers as social theorists. This ceaseless love-hate relationship gathers a many thoughts. We have fought wars and then also talked about unifying our cricket teams.
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Whatever the level of hatred, in moments of peace India-Pakistan have shared a many things memories, music, dramas, and culture. They are like old lovers quarrelling and loving. “In today’s world of uncertainty, violence, and fear where political correctness has made us spineless story of India and Pakistan keeps us engaged.